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The 14th and 15th centuries brought about important innovations both in music and the visual arts. In his Online Art Guide, Peter Phillips takes you on a tour of some of the greatest artworks of the Renaissance and shows remarkable parallels between music and painting. Sound on!
Jan van Eyck The Ghent Altar (detail) 1432, oil on wood St. Bavo Cathedral, Ghent © artinflanders.be (photo: Hugo Maertens, Dominique Provost)
Virgin and Child Enthroned c. 1130, mosaic Hagia Sophia, Istanbul photo © Dr. Evan Freeman (released under CC BY-NC-SA 2.0)
Two Wings of a Triptych c. 1300–10, tempera and gold leaf on poplar Gemäldegalerie, Berlin © Staatliche Museen zu Berlin, Gemäldegalerie (photo: Christoph Schmidt)
Virgin and Child Enthroned with Saints (Ognissanti Madonna) c. 1310, tempera and gold leaf on wood Gallerie degli Uffizi, Florence © Galleria delle Statue e delle Pitture degli Uffizi, Inv. 1890 No. 8344. Reproduced with kind permission by the Ministero della Cultura.
The Mourning of Christ c. 1305, fresco Scrovegni Chapel, Padua photo © Dr. Steven Zucker (released under CC BY-NC-SA 2.0)
The Battle of San Romano c. 1438–40, tempera on wood National Gallery, London photo © akg images / Erich Lessing
Portrait from Giorgio Vasari’s “Le vite de più eccellenti pittori, scultori et architetti” 1568, woodcut photo © akg images / Rabatti & Domingie
Architectural Perspective (Ideal City) c. 1492, oil on poplar Gemäldegalerie, Berlin (Kaiser-Friedrich-Museumsverein) © Staatliche Museen zu Berlin, Gemäldegalerie (photo: Jörg P. Anders)
The Payment of the Tribute Money c. 1426–27, fresco Brancacci Chapel, Florence photo © Graham Fellows
The Marriage of the Virgin (Lo Sposalizio) 1504, oil on wood © Pinacoteca di Brera, Milan
The Ghent Altar 1432, oil on wood St. Bavo Cathedral, Ghent © artinflanders.be (photo: Hugo Maertens, Dominique Provost)
The Agony in the Garden c. 1455–58, tempera on wood National Gallery, London © The National Gallery, London / akg images Excerpt from Guillaume Dufay: Missa L’homme armé, recorded by Oxford Camerata & Jeremy Summerly, courtesy of NAXOS Germany
The Adoration of the Kings c. 1470, oil on poplar Gemäldegalerie, Berlin © Staatliche Museen zu Berlin, Gemäldegalerie (photo: Dietmar Gunne)
Dead Christ Supported by Two Putti late 1470s, tempera and gold leaf on wood Philadelphia Museum of Art © The John G. Johnson Collection, Philadelphia Museum of Art, cat. no. 158